Studio: Buena Vista
Category: Video

List Price: ~~CDN$ 26.99~~
Buy Used: CDN$ 2.09
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Rating: 4.5 out of 5 stars

280 reviews
Sales Rank: 328

Format: Ntsc, Special Edition
Languages: English (Original Language), French (Original Language)
Media: VHS Tape
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

UPC: 786936172980
EAN: 0786936172980

Theatrical Release Date: November 22, 1991
Release Date: October 8, 2002
Availability: Usually ships within 1 - 2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Save a tree, buy from Green Earth Books. Ships from USA; Allow 2 to 3 weeks for delivery. All books guaranteed. Read -> Recycle -> Reuse

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Editorial Reviews:

From Amazon.com
The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke

Additional Features
Over a decade after it was made, this Oscar -winning musical looks better than ever; the remastered film pops off the screen. This DVD debut has a whole disc of extras, but it's the film that matters here. You can see the original version, the special edition--which has a new song sequence, "Human Again," created for its 2001 release in IMAX theaters--and the unique "work-in-progress" edition that played the New York Film Festival and was seen on an earlier laserdisc release. Disney's tendency for posh--albeit sanitized--extras continues here with a commercial look at their animated history and a making-of hosted by Celine Dion. The kids will have more fun with the games--a trivia test on disc one unlocks a robust DVD game set on disc two. --Doug Thomas

Amazon.com Essential Video
The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.

Customer Reviews: Read 275 more reviews...

5 out of 5 stars

Classic Tale September 9, 2005
L.Menei (Algonquin)
This all time classic Walt Disney film, will get your heart pumping with
feelings of joy and love. It will show you that love can be found in unexpected
places. This fairly tale takes place a long time ago. Belle s father, an
inventor, was on his way to a fair, but took a wrong turn and ended up at a
castle. When he doesn t return home, Belle sets off to look for him, and in turn
becomes a prisoner in the ferocious beast castle, where it s filled with
talking furniture, who in the end turn back into there human form. Now Belle no
longer has to look into books for an adventure, for she is on one of her own.
As the two spend many days and nights together, Belle shows the beast how to
love. This amazing enchanted story is one for the whole family, with its magical
touch and fantastic musicals.

5 out of 5 stars

Pure Magic! July 10, 2004
Liz (Springfield, MO USA)
Bringing this classic fairy tail to life is one of the best things that Disney has ever done. Every second of this film is full to the brim with wonder and magic. More than ten years after first seeing it, there are still some scenes that make me gasp at their beauty.
The movie provides all of the usual Disney elements of gorgeous animation, skilled voice actors, awesome original songs, and non-stop entertainment, but there's something special in the mix. We get one of the most believable and heart felt romances to ever grace the animated world. As a child every time I read a picture book of this Fairy Tail I found it impossible to believe that a woman could love a beast, but Disney found a way to make it happen. You truly believe that it's possible, and feel her pain when she thinks she's lost him.
In the classic Disney fashion, Beauty and the Beast brings along a message for the kids to learn. We see the value of intelligence and compassion, learn to look beyond the superficial, and discover that love knows no boundaries.

5 out of 5 stars

After A While One Doesn't Notice It Is Animated June 18, 2004
Martin Asiner (jersey city, nj United States)
It is quite rare for any animated film to be treated with the same respect as any other honored non-animated one. In BEAUTY AND THE BEAST, directors Kirk Wise and Gary Trousdale take the time-worn fairy tale of the outwardly loathsome beast who impossibly enough allows his inner nobility to shine forth sufficiently to cause the beauty to fall in love with him. Robby Benson is the voice of the Beast and Paige O'Hara is Beauty. Even for those readers familiar with the spoken tale or the revamped music video with Meatloaf as the Beast cannot help but allow themselves to be entranced with the seamless melding of sight to sound. The plot is simplicity itself with the Beast as the archetypal symbol of the rebirth of nobility long hidden by the evil spell of an unnamed wizard. There is nothing childish in the unfolding of the tale of Belle the Beauty who chooses to sacrifice herself in marriage to save the life of her doddering inventor father. Enter the Beast who is initially presented as the roaring brute that his tormenting wizard clearly intended him to be. Yet, as Belle ministers to his psychic wounds of self-loathing and his physical wounds incurred in defending her against a pack of wolves, the viewer can see a competing spell at work, one that is older than time itself--the power of love that the film's many songs allude to and function as as subtext that imbues it with timeless energy. There is, of course, some needed plot complications of unwanted attention heaped on Belle by the handsome but warped Gaston, who plots to snare Belle in marriage as firmly as he would stalk a reindeer for its antlers. As Gaston leads the villagers in an assault on the Beast's manor, one is reminded in reverse of the cliched villagers pounding at the walls of Doctor Frankenstein's castle, but in this case the attack in presented in comic tones that keep the real world of harm at bay.

BEAUTY AND THE BEAST has no down moments, with each fresh plot advancement heralded by stunningly effective animation and song. This film was a deserved nominee for Best Picture in 1991, and with repeated viewings, one may rest assured that the alternately gloomy and resplendent halls of the Beast will eternally resonate with the same cachet that gives Tara, Oz, or Rick's Cafe a ticket that allows the bearer to see just how awesome the human spirit can be.

5 out of 5 stars After A While One Doesn't Notice It Is Animated June 17, 2004
Martin Asiner (jersey city, nj United States)
1 out of 1 found this review helpful

It is quite rare for any animated film to be treated with the same respect as any other honored non-animated one. In BEAUTY AND THE BEAST, directors Kirk Wise and Gary Trousdale take the time-worn fairy tale of the outwardly loathsome beast who impossibly enough allows his inner nobility to shine forth sufficiently to cause the beauty to fall in love with him. Robby Benson is the voice of the Beast and Paige O'Hara is Beauty. Even for those readers familiar with the spoken tale or the revamped music video with Meatloaf as the Beast cannot help but allow themselves to be entranced with the seamless melding of sight to sound. The plot is simplicity itself with the Beast as the archetypal symbol of the rebirth of nobility long hidden by the evil spell of a unnamed wizard. There is nothing childish is the unfolding of the tale of Belle the Beauty who chooses to sacrifice herself in marriage to save the life of her doddering inventor father. Enter the Beast who is initially presented as the roaring brute that his tormenting wizard clearly intended him to be. Yet, as Belle ministers to his psychic wounds of self-loathing and his physical wounds incurred in defending her against a pack of wolves, the viewer can see a competing spell at work, one that is older than time itself--the power of love that the film's many songs allude to and function as as subtext that imbues it with timeless energy. There is, of course, some needed plot complications of unwanted attention heaped on Belle by the handsome but warped Gaston, who plots to snare Belle in marriage as firmly as he would stalk a reindeer for its antlers. As Gaston leads the villagers in an assault on the Beast's manor, one is reminded in reverse of the cliched villagers pounding at the walls of Doctor Frankenstein's castle, but in this case the attack in presented in comic tones that keep the real world of harm at bay.

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