Natural, the

THE NATURAL is the story of Roy Hobbs (Robert Redford), a Midwestern boy who dreams of being "the best" in the world of baseball. Roy's dreams aren't just "pie in the sky." This kid has talent, talent like no one's ever seen before. But, as he's making the trip to Chicago to try out, he encounters Harriet Bird (Barbara Hershey), an enigmatic and dangerous woman, and Roy's life changes forever. Sixteen years later, though, Roy Hobbs is given what most people can only long for, a second chance. Yes, this second chance requires a stretch of the viewer's imagination, but not so much that it becomes an impossibility.

I know many people didn't care for Robert Redford's portrayal of Roy Hobbs, but I thought he was perfect. He really makes us believe in Roy and in his dreams and in his principles. I can't think of any other actor who could have carried off this role and carried it off so perfectly. Wilfred Brimley is perfect as Pop Fisher, Hobbs' manager. Robert Duvall as Max Mercy is also perfectly cast as is a very young Kim Basinger as Memo Paris, the woman who wants to be Hobbs' nemesis "the second time around." I didn't particularly like Glenn Close as Iris, but that's just personal preference. Close did a very good job with her role but not quite as good as did Basinger and Basinger's was far more demanding.

There are few mistakes in the continuity of this film. At one point, while playing for the mythical New York Knights at Wrigley Field, Hobbs' hits homeruns in the bottom of the ninth. What? He wasn't traded to the Cubs, so this has to be an oversight on the part of the production crew since the Knights, as visitors to Wrigley Field, would bat in the top of the inning. There are a few other such oversights, but I don't feel they're worth mentioning.

THE NATURAL works, and works so well, I think, because it relies so heavily on mythology, most notably the myth of the Fisher King. It romanticizes the game of baseball. Sure, it's been romanticized before, quite possibly more than any other sport, but THE NATURAL does it so well that we do believe and we do root for Roy Hobbs and all he stands for. Make us believe? This film makes us believe like no other.

Levinson has changed Malamud's ending considerably, but I feel that's for the best. Had there been no departures from the book, Hobbs wouldn't have been a sympathetic character and the film would have been too dark and contained too much despair. As it is, we're left with the promise of better things to come and hope for the future, just what baseball gave us in the "good old days."

THE NATURAL may be dismissed as "hokum" by some but I think it's an American masterpiece and pure magic.


Redford to the rescue   July 8, 2004
Joseph H Pierre (Salem, OR USA)

Director: Barry Levinson
Format: Color
Studio: Columbia/Tristar Studios
Video Release Date: September 26, 2000

Cast:

Robert Redford ... Roy Hobbs
Robert Duvall ... Max Mercy
Glenn Close ... Iris Gaines
Kim Basinger ... Memo Paris
Wilford Brimley ... Pop Fisher
Barbara Hershey ... Harriet Bird
Robert Prosky ... The Judge
Richard Farnsworth ... Red Blow
Joe Don Baker ... The Whammer
John Finnegan ... Sam Simpson
Alan Fudge ... Ed Hobbs
Paul Sullivan Jr. ... Young Roy
Rachel Hall ... Young Iris
Robert Rich III ... Ted Hobbs
Michael Madsen ... Bartholomew 'Bump' Bailey
Jon Van Ness ... John Olsen
Mickey Treanor ... Doc Dizzy
George Wilkosz ... Bobby Savoy
Anthony J. Ferrara ... Coach Wilson
Philip Mankowski ... Hank Benz
Danny Aiello III ... Emil LaJong
Joe Castellano ... Allie Stubbs
Eddie Cipot ... Gabby Laslow
Ken Grassano ... Al Fowler
Robert Kalaf ... Cal Baker
Barry Kivel ... Pat McGee
Steven Kronovet ... Tommy Hinkle
James Meyer ... Dutch Schultz
Mike Starr ... Boone
Sam Green ... Murphy
Martin Grey ... Additional Knight
Joseph Mosso ... Additional Knight
Richard Oliveri ... Additional Knight
Lawrence Couzens ... Additional Knight
Duke McGuire ... Additional Knight
Stephen Poliachik ... Additional Knight
Kevin Lester ... Additional Knight
Joseph Charboneau ... Additional Knight
Robert Rudnick ... Additional Knight
Ken Kamholz ... Additional Knight
Sibby Sisti ... Pirates Manager
Phillip D. Rosenberg ... Pitcher Youngberry
Christopher B. Rehbaum ... Pitcher John Rhoades
Nicholas Koleff ... Umpire Augie
Jerry Stockman ... Umpire Babe
James Quamo ... Memorial Game Umpire
Joe Strnad ... Final Game Home Plate Umpire
James Mohr ... Al
Ralph Tabakin ... Al's Customer
Dennis Gould ... Carnival Boy
Joshua Abbey ... Home Plate Photographer
Gayle Vance ... Maid at Party
George Scheitinger ... League Official
Peter Poth ... Dr. Knobb
Bernie McInerney ... Hospital Doctor
Elizabeth Ann Klein ... Stern Nurse
Charles Sergis ... Newsreel Narrator
Edward Walsh ... Newsreel Presenter
Darren McGavin ... Gus Sands
Brian Reingold ... Baseball Fan

This film made quite a stir when it was released. One of Redford's better ones.

Roy Hobbs (Redford) loves baseball. He played in high school and the semi-pros, and was picked up and given a contract by a scout for the fictional big league team, the New York Knights. Of course, he is the best! A natural.

He has a problem with his past, which he is close mouthed about, but a corrupt club owner, the Judge (Robert Prosky), tries first to pay him to lose in the playoffs, and then tries to blackmail him, and to subject him to the wiles of a femme fatale. And, of course trouble comes in threes...it is also discovered that he had a bullet in his gut that could be fatal if he keeps playing ball. So, guess what? He keeps playing ball.

This is a good, entertaining story. Redford has a huge following, and for good reason. Normally, I'm not enamored of baseball films, but this is a good one. I recommend it to you.

Joseph (Joe) Pierre


Great Movie   April 29, 2004
Mark (Cinci Bengals Ohio United States)
The Natural is the best baseball movie ever made. Great for everyone in the family.


You dont have to love baseball to enjoy this movie   April 12, 2004
Tuvan Uner (Virginia,United States)
This is a great feel-good film. Why do I say that? Because it centers around a baseball player named Roy Hobbs who gets tragically sidetracked from a promising career by a mysterious woman. Lots of great actors in this one in addition to Robert Redford such as Kim Bassingr,Robert Duvall,Wilford Brimley and Barbara Hershey. This movie will inspire you to become a better person and it teaches you that no matter how old you are its never to late to make a difference in your life or someone else's. I liked the movie alot better than the book by Bernard Malamud. This is the rare case in which the movie is better than the book. Usually it is the other way around.


Could this be the best baseball movie ever?   March 6, 2004
Robert Wynkoop (Washington State)
Having not read the book, the movie was not a disappointment. On the contrary, I think it ranks with, if not, the best baseball movie every made. It is a story of second chances both in baseball and in love.

The movie avoids the usual Hollywood pitfalls of making a statement where no statement is needed (Holly Hunters library speech in Field of Dreams) and by avoiding meaningless cliques by the effective use of archetypes. For instance, the mystery woman who abruptly ends Hobbs fledging career is dressed in black as contrasted to Iris, Hobbs lost love, who stands in the bleachers backlighted by a halo of light. Also the use of lightening at critical movements of Hobbs life and career are but two examples of powerful archetype.

Aside from a good story, this is movie making at its best. The cinematography is beautiful. Case in point: The contest between Roy Hobbs (the Robert Redford character) and the Whammer (played to the tee by Joe Don Baker). Cool summer evening, setting sun, beautiful light, the cottonwood fluff floating gently in the air and steam periodically erupting from the locomotive- it is a visual masterpiece. Add to the beautiful cinematography, the musical score from Randy Newman. Nineteen years after the making of this movie when one hears Newman's score we think- Baseball!

The attention to detail and editing were also superb. Who make those advertising signs in the outfield? Bump Baileys meeting a premature end crashing into the outfield wall next to the crying baby sign? That is what I call attention to detail. How about this? In the train scenes the train actually rocks on its tracks as it speeds along its way- Roy has to steady himself as he talks to the woman in black. The editing is surperb- especially the water stop scene and the final at bat scene. Could this be the best baseball movie ever made?